Pandora Preamplifier
Product Reviews:
新音響 (New Audiophile) No.256 2022年7月號 | |
家庭影院技術 (Home Theater Tech) Vol.269 |
Gryphon has always marched to the beat of a different drum. Way back in 1985, when Flemming E. Rasmussen and tech guru Kim Rishøj created the groundbreaking Gryphon Phonostage, it was on a strictly one-off, do-it-yourself hobby basis. Flemming just wanted to build the best possible phono preamp for his home system, not to get into manufacturing consumer products. But word spread rapidly in the audiophile community until Flemming could no longer ignore a steady stream of requests and, suddenly, Gryphon Audio Designs was born.
In the intervening years, Gryphon has constantly had one or more projects in the works as experimental platforms, exploratory testbeds intended to bring us ever closer to a credible illusion of actually being in the presence of the performers. Although never meant for public consumption, these components invariably impress the fortunate few who have the opportunity to audition them at Gryphon headquarters and their enthusiastic response and encouragement have been the impetus behind the decision to occasionally make them commercially available.
It was this unique process that ultimately led to the release of the Gryphon Reference One power amplifier and, later, the four-piece Poseidon reference monitor loudspeaker system. Most recently, Gryphon engineers have been granted the rare luxury of developing a preamplifier/power amplifier combination unrestrained by considerations of cost, size, weight, appearance or production deadlines. Their design brief was simple: make it the best that it can possibly be. Once again, persistent rumours of these uncompromising laboratory instruments have resulted in the production of a strictly limited edition of components now officially dubbed the Gryphon Mephisto power amplifier and Gryphon Pandora preamplifier.
Pandora’s Four Boxes
In Greek mythology, Pandora was created at Zeus’ command as the first woman on earth. Her name means “the all-gifted”, because the gods endowed her with numerous precious talents. From Aphrodite, she received beauty, divine grace, charm and harmony; from Apollo, the gift of music; from Hermes, the power of subtle persuasion; from Athena, soul and from the Graces, love, tenderness, beauty, kindness, pleasure, creativity, artistry, and sensuality.
We have captured these virtues in the four-chassis Gryphon Pandora preamplifier with total isolation of left and right channels on separate chassis and dedicated dual mono power supplies in individual chassis to protect the audio signal from any interference.The dual mono aspect of the design is taken to the practical extreme with separate detachable power cords and separate power switches for each channel. Thanks to creative engineering and unbridled freedom in its design and execution, Gryphon Pandora is empowered to reveal more of the recorded source than any previous preamplifier. Only the finest components, selected for both technical and audio parameters, have been implemented, including Japanese Takman resistors and Charcroft Z-Foil resistors. Signal transmission between preamp and power amp takes place in fully balanced mode for low signal loss and minimal distortion.Pandora Preamplifiers
Gryphon has always marched to the beat of a different drum. Way back in 1985, when Flemming E. Rasmussen and tech guru Kim Rishøj created the groundbreaking Gryphon Phonostage, it was on a strictly one-off, do-it-yourself hobby basis. Flemming just wanted to build the best possible phono preamp for his home system, not to get into manufacturing consumer products. But word spread rapidly in the audiophile community until Flemming could no longer ignore a steady stream of requests and, suddenly, Gryphon Audio Designs was born.
In the intervening years, Gryphon has constantly had one or more projects in the works as experimental platforms, exploratory testbeds intended to bring us ever closer to a credible illusion of actually being in the presence of the performers. Although never meant for public consumption, these components invariably impress the fortunate few who have the opportunity to audition them at Gryphon headquarters and their enthusiastic response and encouragement have been the impetus behind the decision to occasionally make them commercially available.
It was this unique process that ultimately led to the release of the Gryphon Reference One power amplifier and, later, the four-piece Poseidon reference monitor loudspeaker system. Most recently, Gryphon engineers have been granted the rare luxury of developing a preamplifier/power amplifier combination unrestrained by considerations of cost, size, weight, appearance or production deadlines. Their design brief was simple: make it the best that it can possibly be. Once again, persistent rumours of these uncompromising laboratory instruments have resulted in the production of a strictly limited edition of components now officially dubbed the Gryphon Mephisto power amplifier and Gryphon Pandora preamplifier.
Pandora’s Four Boxes
In Greek mythology, Pandora was created at Zeus’ command as the first woman on earth. Her name means “the all-gifted”, because the gods endowed her with numerous precious talents. From Aphrodite, she received beauty, divine grace, charm and harmony; from Apollo, the gift of music; from Hermes, the power of subtle persuasion; from Athena, soul and from the Graces, love, tenderness, beauty, kindness, pleasure, creativity, artistry, and sensuality.
We have captured these virtues in the four-chassis Gryphon Pandora preamplifier with total isolation of left and right channels on separate chassis and dedicated dual mono power supplies in individual chassis to protect the audio signal from any interference.The dual mono aspect of the design is taken to the practical extreme with separate detachable power cords and separate power switches for each channel. Thanks to creative engineering and unbridled freedom in its design and execution, Gryphon Pandora is empowered to reveal more of the recorded source than any previous preamplifier. Only the finest components, selected for both technical and audio parameters, have been implemented, including Japanese Takman resistors and Charcroft Z-Foil resistors. Signal transmission between preamp and power amp takes place in fully balanced mode for low signal loss and minimal distortion.
Refund Policy
EXCHANGE
Every product that you order from Radar Audio Company online shop is taking full care by us. You may return any items in its original condition for an exchange due to below reasons:
- The goods received are not the ones that you ordered;
- If it is discovered that the product is severely damaged or has operation problems after opening or when it remained unopened.
- Customer must contact our Customer Service Department within seven working days of receipt of the goods for replacement.
- The goods must be accompanied with our official invoice, original package, product barcode, accessories, manuals and warranty card without filled.
- All exchanged products will be inspected by our service center before replacement. Otherwise, we will not be able to identify and process the replacement procedure.
- The returned product must be intact, not involving human damage, not being repaired, free from scratches and water damage.
NOT APPLICABLE FOR EXCHANGE
- Invalid product code and serial number of the product and warranty card.
- Product not sold on Radar Audio online shop.
- Failure to follow instructions supplied with the product.
- Any damages or defects caused by, including but not limited to external pressure, impact damage, dropped, misuse, humidity, water damage, other consequences of easy access, or missing parts.
- Any damages or defects that occur in/on outer surface of the product that result from normal wear and tear under ordinary use.
- Any damages or defects caused by human errors or unexpected factors including but not limited to handling, extrusion, bumps, scratches, impacts, exposure to high temperature, improper input voltage, corrosion, water, fire, accidents etc.
- Any damages or defects caused by any accident, act of natural, physical damage or malfunction, abuse, misuse, natural or personal disaster, or any unauthorized disassembly, repair or alteration and modification.
REFUND
- In case of out of stock, refund will take 3-7 working days to process.
- Prices are subject to change without prior notice and all orders are subject to Company’s acceptance at its sole discretion and stock availability.
- If any dispute arises, Radar Audio Company determination shall be final.
- Where these terms and conditions are available in Chinese, the English version is the governing version and shall prevail whenever there is a discrepancy between the two versions.
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